Sarajevo: Aftermath and Today
-Steven Galloway, The Cellist of Sarajevo
An archive photo of Mr. Smailovic playing the cello in the ruins of Sarajevo's historic City Hall during the Siege of Sarajevo (photo credit: Wikipedia) |
I first heard about the war in Bosnia and the Siege of Sarajevo from a novel called The Cellist of Sarajevo. It was written by Steven Galloway, an author who once taught creative writing at University of British Columbia: my alma mater. The story drew inspiration from a real event in which a cellist named Vedran Smailovic played Albinoni's Adagio in G Minor in the ruins of the National Library (Sarajevo's pseudo Ottoman style City Hall) for 22 days straight. He dedicated the whole act to 22 ordinary citizens who were killed by a mortar while waiting in line for food. In the same story, Galloway also featured Arrow: the legendary Serb girl sniper who helped Muslim Bosniaks through assassinating Serb snipers.
The book itself, like Steven Galloway himself (who had an affair with one of his own students), became controversial. One of the biggest criticizers of the book happened to be no other than Mr. Smailovic himself, who claimed several inaccuracies about the portrayal of himself and the fact Galloway never got permissions from him to write about him. If we are talking about the readability of the novel alone, I think it is an excellent and extremely interesting book. After all, it got me to know a historic event happened not that long ago. You don't hear people, especially the western media really talk about it anymore. We live in an age which Muslims are feared and prejudiced against. In our age, being both a Muslim and a victim do not even make sense in terms of media coverage - not even worthy of fake news. Whenever we hear about terrorist attacks in western countries through 24 hours non-stop coverage, we fear about our own safety as well- we fear that we might be the next target. Meanwhile, 200 innocent people die in places like Syria and Yemen every day. Sorry? Who? Never heard of it. It's not gonna happen to us anyways. Why should I care?
Emperor's Mosque in Sarajevo today |
Sarajevo in early morning sun, decorated by the tombstones of Bosnian War victims |
White marble columns are a traditional type of tombstones used by Muslim Bosniaks |
Abandoned bobsleigh track of Sarajevo Winter Olympics 1984 |
Abandoned 1984 Winter Olympics Bobsleigh Facility |
Abandoned 1984 Winter Olympics Bobsleigh Facility |
Abandoned 1984 Winter Olympics Bobsleigh Facility |
Abandoned 1984 Winter Olympics Bobsleigh Facility |
"Ever wonder why there's no progress in Bosnia? Because whatever new ideas we have regarding how to make our country a better place for everyone, one leader will agree, one will disagree, the third one just won't care. It's always a stalemate."
Sarajevo from above: the new city |
Sarajevo from above: Austro-Hungarian Sarajevo and the Olympic Stadium |
Sarajevo from above: Ottoman Sarajevo |
Sarajevo's Historic City Hall, where the story of Cellist of Sarajevo took place |
Modern skyscraper in Sarajevo |
Residents of Sarajevo playing chess in a city park |
Sebilij and tourists |
It was hard to imagine that this bustling city was once a scary place to be |
I don't think so. Innocent, powerless people are still suffering from war caused by selfish ambitions of politicians. If students of today truly want to learn about two world wars and the Bosnian War (and why peace is important), throw away their textbooks. Just send them to Syria and Yemen, and they will understand it all.
Sarajevo's WWII eternal fire |
Sarajevans haven't forgot that once upon a time, people regardless of their ethnicities fought together as one nation against Nazi Germany. That nation was called Yugoslavia |
Sarajevo's historic Orthodox Cathedral |
Nights were once dreadful in Sarajevo. Today, it's all peaceful, no more afraid chidlren |
Cafes in Sarajevo at night |
"Is that your father?" The driver nodded towards the rear mirror, where a reflection of my father taking a nap in the back seat could be seen.
"You should take care of him in the future. Is your mother alive as well?"
Not sure what he meant, I told him yes.
"Then you need to take care both of your parents when they get old, especially your mother! Treat your mother even better! You are so lucky that both of your parents are still alive and you still have the opportunity to take care both of them...."
A public art dedicated to the children of Sarajevo who died during the Bosnian War |
Eventually my father and I made it to the airport on time. Before we left, the taxi driver told me once again that I should take care of my parents. He described his message to me as "some advices from a friend."
In the end, we shook hands, not just for appreciation, but more as friends.
(P.S. If this series has a song for closing credits, it has to be this one:)
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Chapter 5
"We are looking for Obran Smiljevic." Two officers in SS uniform demanded as they entered the office at the train station where the partisan-suspect was working.
"I'm Obran." One of the three men in the office answered.
One of the officers walked straight towards him, and slapped Obran's face several times. "You bastard, come with us!"
"Hold on!" One of the men behind Obran yelled. "We are the Police, lieutenant. We have received the order that this man must stay in this very office with us!"
"No, he's coming with us." The lieutenant insisted.
"I think there must be some misunderstanding here. We have received a strict order that Obran Smiljevic must stay in this office under our surveillance!"
"What?" The lieutenant was angered by the lack of cooperation from the two policemen. "How dare you questioning the SS? You guys weren't doing your jobs properly, that's why thugs like Smiljevic were able to disguise as a railway worker to help out the partisans. If the police could uncover his identity earlier, none of these would happen!"
"Sir. We have a strict order to follow. We have no choice. We can't release Smiljevic to you". The other man behind Obran replied. "You can verify with Lieutenant Bischoff."
As the policeman was about to pick up the phone, the lieutenant stopped him.
"Hold on. I need to verify your identities, gentlemen. There must be a reason why you refuse to release Smiljevic. Show me your IDs! How do I know if you aren't working for the partisan? How do I know if you aren't here to protect him? How do I know if you are really making a phone call to Lieutenant Bischoff, or maybe you are trying to call your accomplices for help!?"
The two policemen took out their IDs, and showed them to the lieutenant with full of discontent.
In the distance, the lieutenant realized that a freight train was slowing approaching the station. He realized that the whole confrontation with the two policemen would soon be over.
"Hand your IDs to me! I need a closer inspection!" The lieutenant demanded.
As the lieutenant was closely examining the IDs, the train conductor rang the horn to signal the men in the office that the train was about to enter the station. Suddenly, the lieutenant pushed Obran to the side, and in the deafening, loud horn sound, the officer behind the lieutenant shot the two policemen with the rifle on his hands.
The lieutenant threw the police IDs on his hands to the ground, beside the dead bodies of the IDs' owners. The three of them sneaked out of the office and hopped onto one of the train's many compartments without having the driver noticed.
The driver rang the horn again, signaling the unattended office and the two bodies lying inside it that the train was about to leave.
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